Course Grid 2024-25

Fall 2024

Fall 2024 Course Grid
BLOCK 1 BLOCK 2 BLOCK 3 BLOCK 4 J BLOCK
SCOTT KRZYCH (All PM unless otherwise noted)

FM 301: Advanced Media Theory & Research Methods 

FM 101: Introduction to Film Studies Analysis & Interpretation of Meaning

FM 200: Topics in Genre, History & Theory:  Politics & Comedy  (with Elizabeth Coggins of Political Science)

   
DYLAN NELSON (All AM) CC 100 Film Manifestos/Filmmaking (First Year Program) Creative Process FM 312: Documentary Form & Filmmaking FM 310: Advanced Topics in Filmmaking: Creative Documentary Form
BARAN GERMEN (All PM unless otherwise noted)

CC 100: New Media Publics and Social Movements (First Year Program) Analysis & Interpretation of Meaning      

  FM 200/310: Topics in Genre, History & Theory/Advanced Topics in Filmmaking: Horror (taught with Arom Choi) FM 401: Senior Thesis (Critical)
AROM CHOI (All AM)         FM 230: Storytelling through Sound  Creative Process     FM 200/310: Topics in Genre, History & Theory/Advanced Topics in Filmmaking: Horror (taught with Baran Germen)   FM 102: Basic Filmmaking   Creative Process
JORDAN LORD

FM 210:  Topics in Filmmaking: Unworking Ableism: Art, Film and Social Life

Equity and Power US; Equity and Power Global; Creative Process

    FM 102: Basic Filmmaking Creative Process  CC 120: Being an Audience (First Year Program)   
BLOCK VISITORS         FM 245: Technical Practicum in Film and Medis Studies:  Shooting on Set Madison Powell & Skye Mahaffie
FM 205 ELECTIVE CROSS-LISTED COURSES    

FM 205: Critical Media Studies

Heidi R. Lewis

FM 205 ELECTIVE CROSS-LISTED COURSES          

 

Spring 2025

Spring 2025 Course Grid
BLOCK 5 BLOCK 6 BLOCK 7 BLOCK 8
SCOTT KRZYCH (All PM unless otherwise noted) FM 401: Senior Thesis ( Critical)     Associate Chair Release Block  FM 200: Topics in Genre, History, & Theory: New York: Politics, Film, Culture (taught in NYC; course fee required )     
DYLAN NELSON (All AM)   FM 400: Independent Film, Filmmaking, and the Sundance Film Festival FM 402: Senior Thesis ( Creative) Chair Release Block    
BARAN GERMEN (All PM unless otherwise noted) FM 101: Introduction to Film Studies Analysis & Interpretation of Meaning FM 200: Topics in Film Genre and History: Media Theory and Cultural Studies     FM 200: Topics in Genre, History, & Theory (taught in Berlin/Istanbul with Ane Steckenbiller; course fee required)  Equity & Power: Global
AROM CHOI (All AM)   FM 402: Senior Thesis (Creative)  FM 310: Advanced Topics in Filmmaking: Adapting Literature  FM 302: Advanced Filmmaking 
JORDAN LORD   FM 402: Senior Thesis (Creative) FM 302: Screenwriting Creative Process FM 102: Basic Filmmaking Creative Process
BLOCK VISITORS   FM 210: Topics in Filmmaking Digital Magic: Animation and VFX Skye Mahaffie       FM 310: Advanced Topics in Filmmaking: Filmmaking on Film  Alisha Tejpal (COD; Course Fee)

FM 300: Film History & Theory

Corey Couch

FM 205 ELECTIVE CROSS-LISTED COURSES   FM 205: Topics in Film and Media Studies: Russian Woman: The Search for Identity in Russian Film Tatiana Nikolskaya (Russian)     FM 205: Topics in Film and Media Studies: Being Seen: Acting and the Camera Monica Sanchez (Theatre & Dance)  
FM 205 ELECTIVE CROSS-LISTED COURSES FM 205: Topics in Film and Media Studies: Great American Film Comedies George Butte (English) FM 205: Topics in Film and Media Studies: French Cinema Michael O'Riley (French)            

 

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